{"id":142,"date":"2017-06-05T14:37:42","date_gmt":"2017-06-05T18:37:42","guid":{"rendered":"http:\/\/elligoudzwaard.com\/?p=142"},"modified":"2018-09-06T11:56:11","modified_gmt":"2018-09-06T15:56:11","slug":"war-stories-modern-vets-meet-ancient-texts","status":"publish","type":"post","link":"https:\/\/elligoudzwaard.com\/index.php\/2017\/06\/05\/war-stories-modern-vets-meet-ancient-texts\/","title":{"rendered":"War Stories: Modern Vets Meet Ancient Texts"},"content":{"rendered":"<div class=\"panel-pane pane-node-title\">\n<div class=\"pane-content\">\n<figure style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" style=\"font-size: 16px;\" src=\"http:\/\/dcal.dartmouth.edu\/sites\/dcal.prod\/files\/styles\/slide\/public\/center_for_advancement_learning\/images\/homer.jpg?itok=6UaJdWgm\" alt=\"Homer's Odyssey\" width=\"810\" height=\"455\" \/><figcaption class=\"wp-caption-text\">&#8220;The Odyssey of Homer&#8221; by\u00a0jemimus\u00a0is licensed under\u00a0CC BY 2.0.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"panel-pane pane-entity-field pane-node-field-article-slides\">\n<div class=\"pane-content\">\n<section class=\"feature-gallery jquery-once-7-processed\">\n<article>\n<div class=\"caption-wrapper single\">\n<div class=\"field field-name-field-slide-caption field-type-text-long field-label-hidden caption field-wrapper\">\n<p>When Classics Professor\u00a0<a href=\"https:\/\/dartmouth.edu\/faculty-directory\/roberta-l-stewart\" target=\"_blank\" rel=\"noopener\">Roberta Stewart<\/a>\u00a0began reading war stories with veterans, it was less a professional undertaking than a passion project she\u2019d dreamt up during a reflective moment in her career. She had been teaching Latin, Greek, and ancient history at Dartmouth for 18 years when she decided in 2008 to embark on what she has since called\u00a0<a href=\"https:\/\/news.dartmouth.edu\/news\/2014\/04\/classics-professor-and-veterans-read-homer\" target=\"_blank\" rel=\"noopener\">\u201csome of the most important work that I do<\/a>.\u201d She began by inviting local veterans to join her in reading one of two works by Homer,The Odyssey\u00a0or\u00a0The Iliad,\u00a0over the course of fourteen weeks at Hanover\u2019s Howe Library. Discussions there drew parallels between what Homer understood about war and homecoming in ancient times, and what soldiers experience today.<\/p>\n<p>Building on the success of this program, and on her academic course offerings which illuminate many of these same parallels, Stewart designed a new academic course recently on the topic of war stories more broadly. Wrapping up its first run in spring 2017, the course invites students to consider the experiences of war through the lens of a wide range of literary witnesses, from Homer and Vergil to more modern writers, such as Tim O\u2019Brien and E. Maria Remarque.<\/p>\n<p>Along with Stewart, shepherding students through the complexity of these texts and the experiences they portray are\u00a0<a href=\"https:\/\/sites.dartmouth.edu\/learningfellows\/\" target=\"_blank\" rel=\"noopener\">Learning Fellows<\/a>\u00a0Jonathan Kong and Jason Laackmann. Like all Learning Fellows, Kong and Laackmann provide in-class facilitation for discussions and group work, helping students to unpack and understand the content of the course. But unlike other Learning Fellows, they have not experienced the course previously for themselves. Instead, they bring their lived experiences as war veterans to bear.<\/p>\n<p>\u201cThe emphasis is on students developing their own ideas,\u201d says Kong. \u201cOnce they have gotten it all out there, we can share our perspectives based on our experience.\u201d Significantly, the perspectives and experiences Kong and Laackmann bring to the discussion are often wildly divergent, a fact they feel has learning value for the students. \u201cIt forces them to recognize that every veteran\u2019s experience is different, and there is no right answer\u201d says Kong.<\/p>\n<\/div>\n<p>Stewart notes the benefit this provides in helping the course to reach one of its intended outcomes. \u201cWe want students to recognize that all narratives are constructs, situated historically, so they need to think and judge carefully. If students come away with that self awareness and reflectiveness, we\u2019ve done our job,\u201d she says.<\/p>\n<p>For Kong, the narratives that exist about the soldier\u2019s experience have not often been accurate or helpful, so when he heard about the opportunity to be involved in the course, he hesitated. \u201cI thought it would be just another exploitation of vets,\u201d he says. \u201cA dog and pony show of their struggles, and how broken we are.\u201d<\/p>\n<p>He explains that the narrative of combat soldiers is written and told by the veteran majority, only 10% of whom actually experienced combat. But after meeting with Stewart, he was reassured. \u201cShe gets it,\u201d he says. \u201cShe\u2019s open about the fact that she\u2019s still learning, and she has a knack for being reflective.\u201d<\/p>\n<p>Stewart\u2019s course design seamlessly weaves history with contemporary experiences by incorporating\u00a0poetry, short story, documentary, blogging, and graphic novels, alongside Homer\u2019s ancient tomes. \u201cArtists are acute social observers,\u201d Stewart says, \u201cSo we\u2019re looking to the art of each era to understand the persistent social problems of war and homecoming.&#8221;<\/p>\n<p>Kong, for one, has been surprised at the relevance of the ancient texts.\u00a0He muses, \u201cNothing has changed in the war experience. 2400 years ago, these themes existed: war as its own topic, homecoming as another.\u201d Homer\u2019s\u00a0Iliad\u00a0spans 24 books\u00a0about the experience of war, and\u00a0The Odyssey\u00a0another 24 on the experience of homecoming.\u00a0The distinction Homer makes by separating the two into their own epic stories, Kong thinks, is critical.\u00a0&#8220;Homer says that homecoming is just as important,\u201d he says. \u201cWar and homecoming are equal, and both epic. The biggest lie that vets are told is that it\u2019s easy when you get back, that war is the hardest part. But when you get back, you\u2019re just starting part two.\u201d<\/p>\n<p>Kong has drawn on Homer\u2019s stories to help frame, for himself and his fellow veterans, the difficulties they face when they return. And while he values the opportunity to advocate for the veteran experience and help others in need, he recognizes the limits of his own impact. \u00a0\u201cI\u2019m just one person. I could give everything to supporting veterans, and it wouldn&#8217;t do much. But this class is empowering 23 more people who have a lens from which to view the veteran experience and the issues they face. That does so much more than what one person can do.&#8221;<\/p>\n<p>For Stewart\u2019s part, facilitating the War Stories course has been a way to continue her work of addressing the problem of what she calls, &#8220;the military-civilian divide.\u201d<\/p>\n<p>\u201cMy father, uncle, great uncle, and grandfather are all vets,\u201d she says, \u201cBut I\u2019ve seen firsthand how civilians don\u2019t feel they have a voice in the conversation. They don\u2019t feel worthy, and this division is fundamentally detrimental. I want us to recognize that we all have a stake in the experiences of our soldiers, because this is one of the most important problems we face.\u201d<\/p>\n<p>Kong concurs: \u201cVeterans need civilians to recognize that war affects them, whether they know it or not. There is a role to play as an observer, an advocate, to create dialogue for vets who can\u2019t organize our thoughts or our experiences.&#8221;<\/p>\n<p>The War Stories course will be offered for a second time in fall 2018.<\/p>\n<p class=\"p1\"><span class=\"s1\"><i>This post first appeared on the website of the <\/i><a href=\"http:\/\/dcal.dartmouth.edu\/news\/2017\/06\/war-stories-modern-vets-meet-ancient-texts\" target=\"_blank\" rel=\"noopener\"><span class=\"s2\"><i>Dartmouth Center for the Advancement of Learning<\/i><\/span><\/a><i>.<\/i><\/span><\/p>\n<\/div>\n<div><\/div>\n<\/article>\n<\/section>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>When Classics Professor\u00a0Roberta Stewart\u00a0began reading war stories with veterans, it was less a professional undertaking than a passion project she\u2019d dreamt up during a reflective moment in her career. She had been teaching Latin, Greek, and ancient history at Dartmouth for 18 years when she decided in 2008 to embark on what she has since called\u00a0\u201csome of the most important work that I do.\u201d She began by inviting local veterans to join her in reading one of two works by Homer,The Odyssey\u00a0or\u00a0The Iliad,\u00a0over the course of fourteen weeks at Hanover\u2019s Howe Library. Discussions there drew parallels between what Homer understood about war and homecoming in ancient times, and what soldiers experience today. Building on the success of this program, and on her academic course offerings which illuminate many of these same parallels, Stewart designed a new academic course recently on the topic of war stories more broadly. Wrapping up its first run in spring 2017, the course invites students to consider the experiences of war through the lens of a wide range of literary witnesses, from Homer and Vergil to more modern writers, such as Tim O\u2019Brien and E. Maria Remarque. Along with Stewart, shepherding students through the complexity of these texts and the experiences they portray are\u00a0Learning Fellows\u00a0Jonathan Kong and Jason Laackmann. Like all Learning Fellows, Kong and Laackmann provide in-class facilitation for discussions and group work, helping students to unpack and understand the content of the course. But unlike other Learning Fellows, they have not experienced the course previously for themselves. Instead, they bring their lived experiences as war veterans to bear. \u201cThe emphasis is on students developing their own ideas,\u201d says Kong. \u201cOnce they have gotten it all out there, we can share our perspectives based on our experience.\u201d Significantly, the perspectives and experiences Kong and Laackmann bring to the discussion are often wildly divergent, a fact they feel has learning value for the students. \u201cIt forces them to recognize that every veteran\u2019s experience is different, and there is no right answer\u201d says Kong. Stewart notes the benefit this provides in helping the course to reach one of its intended outcomes. \u201cWe want students to recognize that all narratives are constructs, situated historically, so they need to think and judge carefully. If students come away with that self awareness and reflectiveness, we\u2019ve done our job,\u201d she says. For Kong, the narratives that exist about the soldier\u2019s experience have not often been accurate or helpful, so when he heard about the opportunity to be involved in the course, he hesitated. \u201cI thought it would be just another exploitation of vets,\u201d he says. \u201cA dog and pony show of their struggles, and how broken we are.\u201d He explains that the narrative of combat soldiers is written and told by the veteran majority, only 10% of whom actually experienced combat. But after meeting with Stewart, he was reassured. \u201cShe gets it,\u201d he says. \u201cShe\u2019s open about the fact that she\u2019s still learning, and she has a knack for being reflective.\u201d Stewart\u2019s course design seamlessly weaves history with contemporary experiences by incorporating\u00a0poetry, short story, documentary, blogging, and graphic novels, alongside Homer\u2019s ancient tomes. \u201cArtists are acute social observers,\u201d Stewart says, \u201cSo we\u2019re looking to the art of each era to understand the persistent social problems of war and homecoming.&#8221; Kong, for one, has been surprised at the relevance of the ancient texts.\u00a0He muses, \u201cNothing has changed in the war experience. 2400 years ago, these themes existed: war as its own topic, homecoming as another.\u201d Homer\u2019s\u00a0Iliad\u00a0spans 24 books\u00a0about the experience of war, and\u00a0The Odyssey\u00a0another 24 on the experience of homecoming.\u00a0The distinction Homer makes by separating the two into their own epic stories, Kong thinks, is critical.\u00a0&#8220;Homer says that homecoming is just as important,\u201d he says. \u201cWar and homecoming are equal, and both epic. The biggest lie that vets are told is that it\u2019s easy when you get back, that war is the hardest part. But when you get back, you\u2019re just starting part two.\u201d Kong has drawn on Homer\u2019s stories to help frame, for himself and his fellow veterans, the difficulties they face when they return. And while he values the opportunity to advocate for the veteran experience and help others in need, he recognizes the limits of his own impact. \u00a0\u201cI\u2019m just one person. I could give everything to supporting veterans, and it wouldn&#8217;t do much. But this class is empowering 23 more people who have a lens from which to view the veteran experience and the issues they face. That does so much more than what one person can do.&#8221; For Stewart\u2019s part, facilitating the War Stories course has been a way to continue her work of addressing the problem of what she calls, &#8220;the military-civilian divide.\u201d \u201cMy father, uncle, great uncle, and grandfather are all vets,\u201d she says, \u201cBut I\u2019ve seen firsthand how civilians don\u2019t feel they have a voice in the conversation. They don\u2019t feel worthy, and this division is fundamentally detrimental. I want us to recognize that we all have a stake in the experiences of our soldiers, because this is one of the most important problems we face.\u201d Kong concurs: \u201cVeterans need civilians to recognize that war affects them, whether they know it or not. There is a role to play as an observer, an advocate, to create dialogue for vets who can\u2019t organize our thoughts or our experiences.&#8221; The War Stories course will be offered for a second time in fall 2018. This post first appeared on the website of the Dartmouth Center for the Advancement of Learning.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-142","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/posts\/142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/comments?post=142"}],"version-history":[{"count":3,"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/posts\/142\/revisions"}],"predecessor-version":[{"id":192,"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/posts\/142\/revisions\/192"}],"wp:attachment":[{"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/media?parent=142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/categories?post=142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elligoudzwaard.com\/index.php\/wp-json\/wp\/v2\/tags?post=142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}